Reviews

 

“Vanessa Ashbee was a commanding Nerone” (Christopher Morley, Opera Magazine,)

 

“…Vanessa Ashbee giving us a Countess portrayed with intelligence and pathos, her Dove Sono world-stopping.”  (The Birmingham Post)

 

“…Vanessa Ashbee was an imperiously neurotic Lady Billows…” (Opera Magazine)

 

“... was outstanding as was Vanessa Ashbee as Public Opinion and I would love to see both in authentic performances.”  (C.J. H. Offenbach Newsletter)

 

“Vanessa Ashbee sang with conviction, handling the tricky intervals with care…” (Maggie Cotton on

                           “In the Beginning”, A. Copland, The Birmingham Post,)

 

“All parts were cast from strength…a Public Opinion from Vanessa Ashbee frighteningly close to our own self-appointed thought police…”  (Opera Magazine)

 

“The imperious Public Opinion of Vanessa Ashbee. . . ” (The Birmingham Post)

 

“Five voices made you sit up straight. . . Vanessa Ashbee’s confident Dorabella in Cosi…” 

                    (Mary Murphy, The Staffordshire Post)

 

“Particularly convincing were… Vanessa Ashbee (Piacere)…” (David Hart, The Birmingham Post)

 

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